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  Suite for Solo Marimba
Level 4: Advanced. Grades 7-8 UK examinations
Duration: 15 minutes
Format: Solo part
Instrumentation: Solo marimba

This piece consists of three movements, the second of which is a "Canzone" - a gentle, lilting song with a lyrical feel, framed by two faster, livelier movements, all of which can be performed as individual pieces in their own right. The final movement, 'Gita' is featured as a diploma piece on the Associated Board exam syllabus in the UK. The entire piece requires a proficient four-mallet technique.

Price: £7.95

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  Plainsong
Level 4: Advanced. Grades 7-8 UK examinations
Duration: 6 minutes
Format: Solo part
Instrumentation: Solo vibraphone

A short piece in three sections, the last of which is a recapitulation of the first, slow hymn-like theme which inspired the title. The second is an agitato section with a repeated semiquaver pattern in the left hand accompanying a double-stopping motif in the right hand. The piece requires a proficient four-mallet technique.

Price: £3.95

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  Perpetuus
Level 4: Advanced. Grades 7-8 UK examinations
Duration: 8 minutes
Format: Solo part
Instrumentation: Solo marimba or Vibraphone

The title describes the relentless nature of this piece, with its repetitive driving quaver rhythms. Respite is given by interruptions from a distinctive, slow descending motif, but the quavers soon return, giving the piece its exciting, motoring quality. A proficient four-mallet technique is required.

Price: £4.95

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  Caprice
Level 3: Accomplished.

Grades 5-6 UK examinations

Duration: 4 minutes
Format: Solo part
Instrumentation: Solo marimba

A lively and enjoyable piece requiring three mallets, ideal for the reasonably accomplished performer who wishes to start learning a multi-mallet technique. It is featured on the Guildhall School of Music exam syllabus in the UK, Grade 8.

Price: £3.95

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"David is an experienced performer and composer who is at the forefront of percussion education. Those who have played his music and those who have read his enthusiastic contributions to the NAPT Newsletter will be aware of his commitment to the development of percussion playing in general and to tuned percussion in particular."

NAPT Newsletter

 

 

"Ask any young percussionist what their first "real" tuned pieces were with a proper piano accompaniment and they're bound to mention David Hext." "....real music with shape and colour together with an interesting piano part which lift any performance and any performer."

NAPT Magazine

 

 

   
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